Performing Arts

More than a decade of disciplined training and performance across Indian and Western classical dance.

Dance has been one of the longest and most consistent parts of my life. Through Kathak and ballet, I have trained within two distinct classical traditions, each demanding precision, musicality, discipline, and expression. Years of graded examinations and annual solo and group performances have taught me how technical practice gradually becomes confidence on stage.

Kathak
Ballet

Kathak

A decade of formal training, national distinction, and sustained performance.

I have trained in Kathak under Guru Sunandita Majumder, completing graded examinations from Pre-Primary through Grade 4 through the Sarbabharatiya Sangeet-O-Sanskriti Parishad.

I earned Distinction in every examination and ranked among the top three candidates across India in the Grade 2, Grade 3, and Grade 4 examinations. Alongside formal training, I have performed annually in solo and group showcases, developing stage experience across both technical and expressive repertoire.

10+ years - Of sustained classical training.
Distinction in every examination - From Pre-Primary through Grade 4.
Top three nationally - In Grades 2, 3, and 4.
Annual performances - Across solo and group showcases.

Ballet

Internationally standardized training through the Royal Academy of Dance.

I trained at Pamtoes Academy under Artistic Director Pamela Alfaro, a Royal Academy of Dance Registered Teacher. I completed internationally standardized Royal Academy of Dance examinations from Pre-Primary through Grade 6 and Intermediate, earning Merit or High Merit in most examinations.

Annual solo and group showcases accompanied the graded programme, allowing me to build performance confidence while progressing through increasingly demanding technical levels.

10+ years - Of ballet training.
Royal Academy of Dance - International examinations.
Pre-Primary to Intermediate - Sustained graded progression.
Merit or High Merit - In most examinations.

Discipline Beyond the Stage

Dance has shown me that meaningful progress is rarely dramatic. It comes from returning to the same movement, correcting small details, and continuing long after the novelty has disappeared.

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Performing Arts

Kathak

Ballet

Discipline Beyond the Stage

Sia Domkundwar